Friday, September 14, 2018
Friday, September 07, 2018
A.E. Warren, The Museum of Second Chances. Locutions Press, 2018. Pp. 319. ISBN 978-1-9999199-0-0. $11.99 pb/$3.99 e.Reviewed by Lisa Timpf
Friday, August 31, 2018
Gerson Lodi-Ribeiro (ed.) & Fábio Fernandes (trans.), Solarpunk: Ecological and Fantastical Stories in a Sustainable World. World Weaver Press, 2018. Pp. 271. ISBN 978-0-9987022-9-2. $14.95.Reviewed by Cat Coker
Friday, August 24, 2018
Kayla Bashe, The Gift of Your Love. Less Than Three Press, 2018. Pp. 69. ISBN 978-1-684313-00-6. $2.99.Reviewed by Psyche Z. Ready
Friday, August 17, 2018
William Meikle, The Ghost Club: Newly Found Tales of Victorian Terror. Crystal Lake Publishing, 2017. Pp. 189. ISBN 978-1-642049-31-2. $14.99.Reviewed by Valeria Vitale
Tuesday, July 31, 2018
Tom Johnstone, How I Learned the Truth About Krampus. Eibonvale Press, 2017. Pp. 36. ISBN 978-1-908125-58-3. £6.00.Reviewed by Andy Sawyer
Sunday, July 15, 2018
Scott Gable & C. Dombrowski (edd.), Ride the Star Wind: Cthulhu, Space Opera, and the Cosmic Weird. Broken Eye Books, 2017. Pp. ix+445. ISBN 978-1-940372-25-9. $23.99.Reviewed by Djibril al-Ayad
Monday, April 30, 2018
E.J. Swift, Paris Adrift. Solaris Books, 2018. Pp. 320. ISBN 978-1-78108-593-6. $10.99.Reviewed by Lisa Timpf
Monday, April 23, 2018
Jonathan Broughton, Mark Cassell & Rayne Hall, Sussex Horrors: Stories of Coastal Terror and Other Seaside Haunts. Herbs House, 2018. Pp. 128. ISBN 978-0-99306-015-1. $12.99/£7.99.Reviewed by Rachel Verkade
Themed anothologies are a staple, not just of the horror genre, but just about every class of speculative fiction. And since moving to Britain, I've encountered an increasing number of collections based around particular areas, most notably the Terror Tales of… series, edited by Paul Finch (Terror Tales of the Cotswolds, Terror Tales of East Anglia, Terror Tales of Wales, etc.). When I picked up Sussex Horrors I was expecting a similar premise; a collection of stories from various authors about terrors somehow centered around or unique to Sussex county. In that respect, I was mistaken; Sussex Horrors, rather than being quilted together by a single editor out of many contributions by different writers, is the lovechild of a menage-a-trois made up of authors Jonathan Broughton, Mark Cassell, and Rayne Hall. These three authors wrote each of the twelve stories comprising the book (four per author), and presumably also served as mutual editors. I will admit to a pang of disappointment when I picked the book up; the variety of authors, writing styles, and themes in an anthology is one of the things I treasure most about them. But I have to concede the novelty of the idea. However, the value in novelty only lies in how successful it is. And was this book successful?
Monday, March 26, 2018
David Thomas Moore (ed.), Dracula: Rise of the Beast. Abaddon Books, 2018. Pp. 308. ISBN 978-1-78108-666-7. $15.99.Reviewed by Cait Coker
Monday, February 12, 2018
Rhonda Parrish (ed.), Equus. World Weaver Press, 2017. Pp. 318. ISBN 978-154-489-6809. $12.99.
Reviewed by Rachel Verkade
Tuesday, February 06, 2018
Nate Crowley, 100 Best Video Games (That Never Existed). Solaris Books, 2017. Pp. 260. ISBN 978-1-78108-614-8. $17.99/£12.99.
Reviewed by Valeria Vitale
Tuesday, January 23, 2018
K.N. Salustro, The Star Hunters: Unbroken Light. Self-published, 2015. Pp. 292. ISBN 978-1-51773-515-9. $10.95 pb/$3.99 e.Reviewed by Lisa Timpf
Wednesday, January 03, 2018
Margrét Helgadóttir (ed.), Pacific Monsters. Fox Spirit Books, 2017. Pp. 182. ISBN 978-1-91046-212-6. £10.00/$15.00.Reviewed by Cait Coker
Pacific Monsters is the fourth volume in Fox Spirit Books’ Books of Monsters series; previous volumes include African Monsters (2015) and Asian Monsters (2016), and projected volumes will include American Monsters and Eurasian Monsters. The goal of these books (all edited by the capable and prolific Margrét Helgadóttir, sometimes with Jo Thomas as co-editor) is to effectively decolonize the monstrous of the popular imagination and pop culture from the familiar parade of western-inspired demons, werewolves, vampires, and zombies. Instead, Helgadóttir’s anthologies showcase fiction across the spectrum of speculative fiction genres that feature creatures drawn from the localized myth and folklore of other cultures, almost all of which are written by writers and artists from, or with strong connections to, those countries. Each volume is a softcover coffee table book, oversized and illustrated in black and white; several of the entries include stories told through comics rather than prose. Ultimately this series is a needed intervention into Anglo-American-centric monster stories, and Pacific Monsters particularly stands out as it encompasses nations and populations that are too often neglected altogether.