Sunday, July 15, 2018
Monday, April 30, 2018
E.J. Swift, Paris Adrift. Solaris Books, 2018. Pp. 320. ISBN 978-1-78108-593-6. $10.99.Reviewed by Lisa Timpf
Monday, April 23, 2018
Jonathan Broughton, Mark Cassell & Rayne Hall, Sussex Horrors: Stories of Coastal Terror and Other Seaside Haunts. Herbs House, 2018. Pp. 128. ISBN 978-0-99306-015-1. $12.99/£7.99.Reviewed by Rachel Verkade
Themed anothologies are a staple, not just of the horror genre, but just about every class of speculative fiction. And since moving to Britain, I've encountered an increasing number of collections based around particular areas, most notably the Terror Tales of… series, edited by Paul Finch (Terror Tales of the Cotswolds, Terror Tales of East Anglia, Terror Tales of Wales, etc.). When I picked up Sussex Horrors I was expecting a similar premise; a collection of stories from various authors about terrors somehow centered around or unique to Sussex county. In that respect, I was mistaken; Sussex Horrors, rather than being quilted together by a single editor out of many contributions by different writers, is the lovechild of a menage-a-trois made up of authors Jonathan Broughton, Mark Cassell, and Rayne Hall. These three authors wrote each of the twelve stories comprising the book (four per author), and presumably also served as mutual editors. I will admit to a pang of disappointment when I picked the book up; the variety of authors, writing styles, and themes in an anthology is one of the things I treasure most about them. But I have to concede the novelty of the idea. However, the value in novelty only lies in how successful it is. And was this book successful?
Monday, March 26, 2018
David Thomas Moore (ed.), Dracula: Rise of the Beast. Abaddon Books, 2018. Pp. 308. ISBN 978-1-78108-666-7. $15.99.Reviewed by Cait Coker
Monday, February 12, 2018
Rhonda Parrish (ed.), Equus. World Weaver Press, 2017. Pp. 318. ISBN 978-154-489-6809. $12.99.
Reviewed by Rachel Verkade
Tuesday, February 06, 2018
Nate Crowley, 100 Best Video Games (That Never Existed). Solaris Books, 2017. Pp. 260. ISBN 978-1-78108-614-8. $17.99/£12.99.
Reviewed by Valeria Vitale
Tuesday, January 23, 2018
K.N. Salustro, The Star Hunters: Unbroken Light. Self-published, 2015. Pp. 292. ISBN 978-1-51773-515-9. $10.95 pb/$3.99 e.Reviewed by Lisa Timpf
Wednesday, January 03, 2018
Margrét Helgadóttir (ed.), Pacific Monsters. Fox Spirit Books, 2017. Pp. 182. ISBN 978-1-91046-212-6. £10.00/$15.00.Reviewed by Cait Coker
Pacific Monsters is the fourth volume in Fox Spirit Books’ Books of Monsters series; previous volumes include African Monsters (2015) and Asian Monsters (2016), and projected volumes will include American Monsters and Eurasian Monsters. The goal of these books (all edited by the capable and prolific Margrét Helgadóttir, sometimes with Jo Thomas as co-editor) is to effectively decolonize the monstrous of the popular imagination and pop culture from the familiar parade of western-inspired demons, werewolves, vampires, and zombies. Instead, Helgadóttir’s anthologies showcase fiction across the spectrum of speculative fiction genres that feature creatures drawn from the localized myth and folklore of other cultures, almost all of which are written by writers and artists from, or with strong connections to, those countries. Each volume is a softcover coffee table book, oversized and illustrated in black and white; several of the entries include stories told through comics rather than prose. Ultimately this series is a needed intervention into Anglo-American-centric monster stories, and Pacific Monsters particularly stands out as it encompasses nations and populations that are too often neglected altogether.
Thursday, December 28, 2017
James W. Greenfield, The Time Machine. 89 minutes. Starring Don McCorkindale, Michael Orenstein, Nathan Nasby, Juliet Lyons. $14.99.Reviewed by Andy Sawyer
Tuesday, December 19, 2017
Kristine Ong Muslim, The Drone Outside. Eibonvale Chapbook Line #1, 2017. Pp. 49. ISBN 978-1-908125-53-8. £6.00 pb/£12.00 hc.Reviewed by Djibril al-Ayad.
Eibonvale Press have started a line of Chapbooks to complement their high-quality catalogue of speculative fiction novels and story collections, kicking off with this volume of nine interrelated flash stories by Philippine author and poet Kristine Ong Muslim. The Drone Outside is a series of snippets of life during or after the apocalypse, told from unusual points of view, or with surreal narrative, or or evidencing unexpected scenarios of death, destruction and post-humanity. There are several threads that weave and recur through this small book, but ultimately it does not tell a single story with a plot arc and satisfactory dénouement, there are no real POV characters or protagonists. These are all prose stories, but at times the writing reaches the stylized and beautiful heights of Muslim’s science-fictional poetry; at others it is grimly, defiantly prosaic (or dramatic, or epistolary) as the setting requires. The Drone Outside sets a scene, builds an atmosphere, reminds us that the end of humanity is unlikely to be glamorous or exciting or full of Golden-Age heroism and action sequences. Sometimes a lot of fun, always gorgeous and enlightening, but also surprisingly heavy for such short pieces.
Wednesday, December 06, 2017
Ira Nayman, The Multiverse is a Nice Place to Visit, But I Wouldn’t Want to Live There (Book 5 of the Transdimensional Authority series). Elsewhen Press, 2017. Pp. 320. ISBN 978-1-91140-909-0. £9.99 pb/£2.99 e.Reviewed by Lisa Timpf
Wednesday, November 29, 2017
Zoë Sumra, The Wages of Sin. Elsewhen Press, 2017. Pp. 312. ISBN 978-1-91140-905-2. £9.99 pb/£2.99 e.Reviewed by Djibril al-Ayad
The Wages of Sin is the second novel by British SF author Zoë Sumra, published by the small speculative Elsewhen Press, a far future political thriller involving gangland turf wars on an ultra-violent, distant planet. While there is some genuine and well-sketched alienness in both the setting and the personae, much of the violence and organized crime in this novel are very familiar both from contemporary crime literature and indeed recent history. While the hallmarks of the small press sometimes show through in production quality, this is an enjoyable and largely effective magical space opera romp, which fully succeeds on its own terms.