John Howard, Touchstones: Essays on the Fantastic. Alchemy Press, 2014. Pp. 294. ISBN 978-0-9573489-7-4. £11.00.Reviewed by Małgorzata Mika
This troublesome f-word. It appears out of the blue to startle or outrage. It conforms to no norms, pushing and shoving among respectable authors of equally respectable literature. It chews a gum of literary conventions to utter a loud ‘pop’ when a balloon of high literary ideas breaks to be rechewed again. This is the fantastic in all its insolent beauty. The case of John Howard’s collection of essays, one may say, is all the more insulting, concentrating on revolving around the writers whose prose fits into such gutter-born genres as horror, science fiction and fantasy in the stages some might classify as evolving or cult. Probing the darker corners of literature seems hardly surprising since Touchstones: Essays on the Fantastic was released by The Alchemy Press, an award-winning independent publisher well-known for its fantastic proclivities. More so, the prevalence of horror and the weird among a caboodle of twenty-two texts is detectable, without the need of using the services of a professional medium. John Howard’s scholarly interests in the fantastic resulted in a peculiar combination that acquaints a reader with the works of the famous writers who are paragons of fantastic fiction, as well as those whose brilliant texts dissolved in the mist of other literary works. A mixture of the known, unknown and some eerie novelties is inviting, unearthing the talents long buried in the thick soil of 20th century fantastic literature.