Tuesday, July 26, 2022

McCarty, More Modern Mythmakers (2022)

Michael McCarty, More Modern Mythmakers: 25 Interviews With Horror, Fantasy and Science Fiction Writers and Filmmakers. Crystal Lake Publishing, 2022. Pp. 274. ISBN 978-1-957133-14-0. $15.99.

Reviewed by Jason Kahler

Michael McCarty has published dozens of books, especially non-fiction work about genre writers and artists. Crystal Lake Publishing is a relative newcomer, but they’ve already started distinguishing themselves by having a good eye for talent and publishing books that enhance the horror and science fiction community. More Modern Mythmakers is a strong collection of interviews that are a testament to McCarty’s access and eye, and the book would make a nice addition to your shelf, but it has some shortcomings that make it less than completely successful for a book of its kind.

Tuesday, July 19, 2022

Neptune Frost, dir. Williams & Uzeyman (2021)

Neptune Frost, dir. Saul Williams & Anisia Uzeyman. Swan Films, 2021. Starring Elvis Ngabo, Cheryl Isheja, Kaya Free. 110 minutes.

Reviewed by Francesca Forrest

Neptune Frost, a mystical sci-fi musical set in Burundi and filmed in Rwanda, is the creation of codirectors Saul Williams (a songwriter and poet) and Anisia Uzeyman (a director and actor). It draws on Williams’s albums Martyr Loser King (2016) and Encrypted and Vulnerable (2019) and was financed via a 2018 Kickstarter campaign.

Tuesday, July 12, 2022

Duncan, Irizary & Rendon, El Porvenir ¡Ya! (2022)

Scott Russell Duncan, Jenny Irizary & Armando Rendon (edd.), El Porvenir, ¡Ya! – Citlalzazanilli Mexicatl: Chicano Science Fiction Anthology. Somos en escrito Literary Foundation Press, 2022. Pp. 220. ISBN 979-8-40993-671-6. $10.00 pb / $2.92 e.

Reviewed by M.L. Clark

There’s a freewheeling energy to the introductions to El Porvenir, ¡Ya!, a 2022 Chicano science fiction anthology edited by Scott Russel Duncan, Armando Rendón, and Jenny Irizary. Both pieces, one by Ernest Hogan and one by Duncan(-Fernandez), proclaim with great celebratory fanfare the distinct possibilities and resurgence of the “Latinoid imagination” in contemporary science fiction. The absence of Latino rep in preceding sci-fi did not escape these editors’ notice, either, and the collection promises to introduce characters and contexts that illustrate the science-fictional nature of existence already intrinsic to many Latino communities living in blended, mestizo realities, especially in North America. How can there not be worth in celebrating, discovering, and cultivating as many of their imagined futures as possible?

Tuesday, July 05, 2022

Barnett, The Dark Between the Trees (2022)

Fiona Barnett, The Dark Between the Trees. Solaris, 2022. Pp. 350. ISBN 978-1-78618-797-0. $24.99/£15.99.

Reviewed by Rachel Verkade

As a Canadian, coming to England has been an interesting experience. Much of Canada’s history prior to the arrival of the European settlers has been forgotten or deliberately lost. So coming to a country where we can walk freely through Neolithic ruins and 2000 year old Roman coins are routinely dug from the river mud is… odd. It is a place that is rife with mystery and secrets—and the potential for horror.

The Dark Between the Trees opens with a group of five academics making their way to an ancient woodland. They are there searching for the remains of a troop of 17th century soldiers who disappeared within its boundaries. The historical record describes the Parliamentarian battalion fleeing from an ambush, battered and demoralised, and then experiencing impossible horrors. Disappearing and reappearing landmarks, changing light… and the inescapable feeling of something following them. Two men deserted, and managed to stumble their way out of the woods and into the nearest village, where their strange story was written down into history. Their companions were never seen again.