Kate Wolford (ed.), Mothers of Enchantment: New Tales of Fairy Godmothers. World Weaver Press, 2022. Pp. 217. ISBN 978-1-7340-5456-9. $15.95 pb/$4.99 e.
Reviewed by Julie Reeser
The best part of fairy tales for me isn’t the reversal of fortunes or the justice delivered. For me, it’s always been the slantwise magic that follows rules we can’t see—an early form of magical realism wherein the burdened and despairing characters find relief. This wild magic often arrived in the form of a fairy godmother, subverting the ill-fated mothers and scary stepmothers sprinkled like blood stains over the pages. The fairy godmother feels deserved and arbitrary at the same time, allowing a reader centuries in the future to believe that they, too, might one day be magicked into a gorgeous gown and a happily ever after. And as Wolford points out in her introduction, “many people transform our lives with simple generosity and kindness.” We all have that magic within us.
Mythaxis Magazine, if you haven’t previously had the pleasure, is currently a quarterly online magazine of speculative fiction that feels like a glimpse into the internet we could have had, had we not allowed it to turn into a virtual shopping mall, a brewer of bullying, and a weaponized spreader of disinformation. Free to read and free from advertisements, Mythaxis is a labor of love that will take you strange places and feed you amazing ideas just because excellence is an excellent endeavor. The stories that Mythaxis serves as a portal to are exactly the sorts of stories you hope you would be true enough to your ideals to produce, if you had that kind of talent. Or, at least that’s how it feels to me. People with talent should be doing great things with it, not just the same old thing, averagely, already done by everyone else.
Veronica G. Henry is not from New Orleans and does not practice Vodou, but she consulted experts for both, and this careful consideration shines in details and authorial voice in her mystery novel The Quarter Storm. Unlike many past representations of Vodou, Henry focuses on the history and faith, and leaves the fetishization behind. This second book is a departure for Henry from the dark fantasy of an evil carnival, and instead brings characters who could easily be found during a walk through your city, and a murder that feels ripped from the headlines. (I originally assumed this book was self-published due to the surprisingly neutral and forgettable cover for the ebook; 47North turns out to be an imprint of Amazon Publishing, and they offer their acquistions through Kindle Unlimited—which is how I found it—as well as paperback and audio editions.)