Monday, December 28, 2015
Tuesday, December 22, 2015
Anna Patrick, Meditations in Wonderland. River Grove Books, 2015. Pp. 227. ISBN 978-1-63299-045-7. $13.95.Reviewed by Don Riggs
Of the books brought out in time for the 150th anniversary of the publication of Lewis Carroll’s Alice in Wonderland, Anna Patrick’s is the most intensely personal and deeply psychological novel that I have seen. Patrick takes Carroll’s Journey through the Belly of the Whale and emphasizes the shamanic potential of it such that Elizabeth, the protagonist, goes through a confrontation with herself with the intention—not necessarily conscious—of grappling with the darkness within herself and resolving whatever issues she has had that have resulted in her living a life in hiding behind the mask that she has fashioned over the years. Carroll’s Alice has been important for her since a child, and her Alice doll leads her on into the rabbit-hole and through the various Stations of the Wonderland, abbreviated from the sequence of places and events in the original novel.
Monday, December 14, 2015
Talia Haven, Mama Cried. Self published, 2015. Pp. 12. ASIN B00S2RKNFU. $0.99.
Reviewed by Valerie Vitale
Monday, December 07, 2015
Kevin J. Anderson and Neil Peart, Clockwork Lives. ECW Press, 2015. Pp. 396. ISBN 978-1-77041-294-1. $24.95.Reviewed by Cait Coker
How does one fill the pages of a book?
I feel as though I can hear thousands of weary sighs from people at their keyboards following the conclusion of National Novel Writing Month, but in the case of Anderson and Peart’s collaborative novel Clockwork Lives, the answer is literally blood and tears. Marinda Peake’s deceased father has bequeathed her a blank alchemy book and a mission: to leave behind the comfortable life she has always known and fill the volume with the stories of others. Though billed as a steampunk Canterbury Tales, this novel has more in common with Michael Ende’s The Neverending Story in both form and concept. The tale itself expertly connects Marinda’s story with those that she collects, and the physical volume, bound in embossed faux-leather with marbled endpapers and filled with tinted, patterned pages to recall handmade papers, is a bibliophile’s delight. (An archival one too: the case binding with sewn endbands is absolutely going to last longer than your average mass-market hardback!) It also contains over a dozen full-page illustrations by Nick Robles to introduce each of the stories that Marinda collects via drops of blood provided by those she speaks with; each of the tales’ chapter headings includes an evocative blood splat and a shading from red-to-black as the “blood” becomes print. It’s a fun graphic design element, recalling the dual red and green inks used in Ende’s book to denote what story sections take place in the “real” and “imaginary” worlds.